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Remakes are always a gamble, so it’s a pleasant surprise that Fun with Dick and Jane pays off with unexpected dividends. It’s as entertaining as the 1977 original starring George Segal and Jane Fonda, and the teaming of Jim Carrey and Téa Leoni makes this a safe bet for comedy fans, in spite of a slapstick screenplay that fails to achieve its fullest potential. Rather than attempt a darkly comedic send-up of the Enron scandal that left thousands of stockholders in financial ruin, director Dean Parisot (Galaxy Quest) opts for a lighter, more accessible (read: commercial) satire of corporate greed and cynicism, beginning in the year 2000 when Dick (Carrey) gets a plum promotion as a mega-corporate communications director just as his boss (Alec Baldwin) is preparing …..

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A sitcom behemoth of the last 10 years, Friends shot out of the gate in 1994 with snappy writing and an attractive cast. The exploits of sensitive paleontologist Ross Geller (David Schwimmer), his obsessive-compulsive sister Monica Geller (Courteney Cox); Monica’s roommate Rachel Green (Jennifer Aniston), a spoiled rich girl trying to live on her own; earthy aromatherapist/masseuse Phoebe Buffay (Lisa Kudrow); and Monica’s neighbors across the hall– sarcastic Chandler Bing (Matthew Perry) and his dim-bulb roommate Joey Tribbiani (Matt LeBlanc) became a nationwide obsession, a pop-culture icon (remember “The Rachel” haircut?) and a top Nielsen hit for its entire run. …

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Description:
This 8 disc boxset includes Blazing Saddles, High Anxiety, History of the World Part I, Robinhood Men in Tights, Silent Movie, To Be or Not to Be, Twelve Chairs, Young Frankenstein.

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Americans love the underdog. Anytime someone is beating the odds, fighting his or her way to the top, like the Little Engine That Could, it resonates well with U.S. audiences; it’s in their nature. Sylvester Stallone knew that in 1976, when Rocky was a monstrous hit and established itself in the American cultural lexicon. His low-budget tale of a young boxer who came from the slums of Philadelphia and worked his way to the championship recalls Capra characters such as Mr. Smith or John Doe as he worked his way to fame and self-respect. Like Capra’s films from 30 years before, Rocky pushed emotional buttons with audiences, but in a somewhat less maudlin, obvious way; it’s possible to enjoy Rocky without feeling embarrassed about it, even in the cynical, postironic ’90s. It ranks respectably among the best boxing pictures, such as The Set-Up or Somebody Up There Likes Me. The story paralleled Stallone’s own, from a relative unknown to a star with one breakthrough picture. Rocky II (1979) carries on the story line, playing on the rivalry between Rocky Balboa and nemesis Apollo Creed, while Balboa’s wife fights for her life. Mainly, though, the sequel seems like a link between the first film and Rocky III, in which an aging Rocky takes on big, bad Clubber Lang (the near-forgotten Mr. T). While playing on the same emotional capital as the first movie, Rocky III is the high-water mark of the sequels; by the next movie, Stallone had turned into a near-self-parody of the original character. Rocky IV finds the underdog taking on an oversized, blond Russian boxer (Dolph Lundgren) in a cold war scenario (Rocky literally wraps himself in the American flag). The series mercifully played out by 1990, as embarrassingly punch-drunk as the Rocky character himself by that point. Given the way the American pop-culture continuum seems to work, it’s probably due time for the later sequels to be plucked from the compost heap of ’80s flotsam and revived as high camp; the Reagan-era hyperpatriotism of Rocky IV is as dated as in junk like Red Dawn or the dreadful Invasion U.S.A. Still, the first three films pack a satisfying emotional wallop without giving the viewer the urge to crawl under the couch. The last two… well, use your judgment. They will soon be good for an ’80s nostalgia party. –Jerry Renshaw

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